Reportage
by Andrés D’Avenia
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By Davo Valdés de la Campa
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By Karly Gaitán Morales
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Film
By Davo Valdés de la Campa
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By Hammurabi Hernández
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By Archana Nathan
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By Christopher Small
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By Rowan El Shimi
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By Héctor Oyarzún
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Reportage
By Rowan Abdelrahman Ahmed Mahmoud El Shimi
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Reportage
By Christopher Small
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Filmmaker Matias Piñeiro takes a modern approach to the Bard’s A Midsummer Night’s Dream
by Sabrina D. Marques
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by Alex França (Talent Press Rio)
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written by Janka Pozsonyi
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written by Katerina Lambrinova
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written by Andreea Mihalcea
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written by Emre Çağlayan
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written by Andreea Pătru
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written by Petra Meterc
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by Marcia Moreira
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By Iván Zgaib | Argentina
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by Yoshua Oviedo Ugalde
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by Yoshua Oviedo Ugalde
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Reportage
Sergio Huidobro of the 2016 Talent Press analyses the depiction of Mexico in historical and recent moviers, especially in three films of this year's Berlinale programme.
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Film
Sevara Pan of the 2016 Berlinale Talent Press reviews Avi Mograbi's and Chen Alon's Berlinale Forum film BETWEEN FENCES.
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Film
Xin Zhou of the 2016 Berlianle Talent Press Mike Crane’s film BUNKER DRAMA, which premiered in Berlinale Forum Expanded.
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Sergio Huidobro of the 2016 Berlinale Talent Press reviews Jeff Nichols' fourth feature and his third premiere at the Berlinale, MIDNIGHT SPECIAL, which merges road movie formulas with a sci-fi plot.
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Ruben Demasure of the 2016 Berlinale Talent Press reviews the Midi Z's documentary CITY OF JADE.
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Film
Isabella Akinseye of the 2016 Berlinale Talent Press reviews Ivo Ferreira’s Berlinale Competition entry LETTERS FROM WAR.
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Film
Xin Zhou of the 2016 Berlinale Talent Press reviews Claudrena N. Harold's and Kevin Jerome Everson's Forum Expanded short documentary WE DEMAND.
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Rasha Hosny of the 2016 Berlinale Talent Press reviews Avo Kapealian's documentary HOUSES WITHOUT DOORS, which premiered in the Berlinale Forum section.
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Interview
Ruben Demasure of the 2016 Berlinale Talent Press interviews Portuguese producer Pedro Fernandes.
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Interview
Berlinale Talent Press participant Liz Chege interviews Hajooj Kuka about his film BEATS OF THE ANTONOV.
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Authors
By Rasha Hosny (Egypt)
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Authors
By Ruben Demasure (Belgium)
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Authors
By Sergio Huidobro (Mexico)
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By Xin Zhou (China)
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Film
A Lengthy Parable
by Olawale Oluwadahunsi
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Interview
Interview by Jaqueline Avila
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Film
By Julieta Bilik
From the film Double Happines by Ella Raidel
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Reportage
Mariángela Martínez Restrepo / Talent Press BsAs Coordinator
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Film
By Oris Aigbokhaevbolo
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Film
By Oriana Franceschi
The earth around the volcano is thick and black. Seventeen-year-old María and her mother Juana kneel in it to pray, wrapped in colourful hand-me-down fabrics that extend intricately into their hair.
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Film
By Oriana Franceschi
Oat’s childhood is made up of baby-pinks and blues: a boat slipping down a still canal, flitting fish in a strip-lit tank, a sleepy Thai sun setting over the banana plants.
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Film
By Michael Guarneri
If you're planning to watch Arvo Leo's FISH PLANE, HEART CLOCK (Canada, Switzerland) in the Berlinale Forum Expanded section hoping to learn about the late Inuit draftsman and painter Pudlo Pudlat, you're likely to be disappointed.
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Film
By Alonso Díaz de la Vega
The idealism in Werner Herzog’s directing in Berlinale Competition film QUEEN OF THE DESERT (USA, Morocco) suggests something beyond its director’s lifelong identification with his main characters: his infatuation with this one.
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Film
by Monty Majeed
God's own country—that is what the state I was born in, Kerala, India, is popularly known as. Come December, and it transforms into 'Godard's own country', an indication that the international film festival held in the capital city, Thiruvananthapuram, has begun. The crowd that flocks to the cinema halls as delegates for this festival is, in itself, testimony to what cinema means to us as a nation.
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Film
by Julia Cooper
Canadian cinema does not want for talent or innovation. From directors Alanis Obomsawin, Sarah Polley, Guy Maddin, and Xavier Dolan, to actors Sarah Gadon and Ellen Page, and a documentary scene (The World Before Her, Stories We Tell, Watermark) that continues to thrive despite our conservative government’s continual slashing of arts funding, Canadian film is worth the price of admission.
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Film
by Alonso Díaz de la Vega
Film criticism wasn’t my dream. My dream was to make films —it still is— yet I do not treat my current profession as a step towards filmmaking, but as an independent exercise of imagination. Criticism is not, as many have deemed it, the ranting of the frustrated and the unaccomplished; it is rather a stand against triviality and irrelevance.
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Film
by Oris Aigbokhaevbolo
Nigerian cinema has moved so much in one direction that in the last few years, some filmmakers, new, young, at once freed and craving to be freed from their forebears, have begun to react to this seemingly inexorable movement. They push against it nominally and in practice, by rejecting the nomenclature Nollywood, and by adopting filmmaking techniques alien to Nigerian cinema.
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Film
Oris Aigbokhaevbolo of the Talent Press Durban 2014 reviews the beautiful, brutal but real drama TIMBUKTU.
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Film
Monica Obaga of the Talent Press Durban 2014 reviews THE DO GOODERS, a documentary on foreign aid in Palestine, that impresses by showing multiple perspectives, and prioritizing the locals.
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Film
Terh Agbedeh of the Talent Press Durban 2014 reviews the Nigerian family drama B FOR BOY, written and directed by Chika Anadu.
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Film
Another's year edition of the Talents Buenos Aires has come to an end with many encounters, experiences and activities that we have all shared during the last week.
An on this occasion it was with great honor to close with the wonderful videoconference with the master of all generations Mr. Jonas Mekas. His words moved us all and his humbleness inspired us through his great experience.
We would like to thank all 52 participants of this Talents Buenos Aires edition, you will always be very welcome!!
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Film
José Francisco Peña of the 2014 Talent Press BA reports from the panel "Across a generation" given by the brasilian filmmaker Cao Guimaraes
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Film
Yuraima Herrera of the Talent Press 2014, reports from the panel "The state of film criticism in Latin America, with this year critics Diego Lerer, Diego Battle and Quintín
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Film
Andrés Rodelo of the Buenos Aires Talent Press, reviews Nicolás Videla y Camila Donoso film Naomi Campbel, which its part of the International Competition of the BAFICI, Independent Film Festival.
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Film
Rubens Riol of the Guadalajara Talent Press 2014 reviews Daniel Ribeiro's HOJE EU QUERO VOLTAR SOZINHO.
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Film
Celia Rodríguez Tejuca of Guadalajara Talent Press 2014 reviews Mariana Rendón's PELO MALO
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Film
Last monday, March 24th at the Degollado Hall of Guadalajara´s Expo took place the launch of the book Homenaje a Eduardo Coutinho (A tribute to Eduardo Coutinho) as one of the collateral events of the Festival Internacional de Cine de Guadalajara 2014.
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Film
Orianna Calderón of the Guadalajara Talent Press 2014 reviews Jorge Perez Solano's LA TIRISIA
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Film
Celia Rodríguez Tejuca of the Guadalajara Talent Press 2014 reviews Jorge Perez Solano's LA TIRISIA.
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Film
Orianna Calderón from Guadalajara Talent Press 2014, reviews Daniel Ribeiro's film HOJE EU QUERO VOLTAR SOZINHO.
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Film
Two opinions on a compelling Vietnamese global warming thriller from the Berlinale Panorama: NUOC by Nguyễn-Võ Nghiêm-Minh, watched and reviewed by two Talent Press critics.
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Interview
Karla Lončar of the 2014 Talent Press interviewed South Africa filmmaker John Trengove.
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Reportage
Ewa Wildner reports from the panel How To Sell Controversial Films, featuring NYMPHOMANIAC's producer Louise Vesth.
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Film
Daria Lisitsina of the 2014 Talent Press reviews the black comedy CALVARY, which features in the Berlinale Panorama.
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Film
Christina Newland of the 2014 Talent Press reviews STRATOS, the noir-tinged Greek tale of a hitman living through the economic pinch. The film had its premiere in the Competition section at Berlinale this year.
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Reportage
Tara Judah of the 2014 Talent Press reports from the Berlinale Talents master class "Defining Distance: The Cinematography of Agnès Godard".
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Film
José Sarmiento of the 2014 Talent Press reviews the Estonian masterpiece FREE RANGE, which features in the Berlinale Forum section.
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Interview
Claire Lee of the Talent Press 2014 interviews legendary director of photography Christopher Doyle at the Berlinale Talents summit 2014.
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Reportage
Andrei Kartashov of the 2014 Talent Press reports from the Berlinale Talents Screening of Eskil Vogt's BLIND.
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Reportage
Karla Lončar of the 2014 Talent Press reviews the Kazakh drama NAGIMA, which features in the Berlinale Forum.
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Reportage
Ewa Wildner of the 2014 Talent Press reports from the panel discussion New German Cinema: The Berlin School at Berlinale Talents.
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Film
Dasha Lisitsina of the Talent Press 2014 reviews the Austrian neo-western THE DARK VALLEY, which is presented in a Berlinale Special Gala.
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Film
Christina Newland of the 2014 Talent Press reviews the uncut version of NYMPHOMANIAC VOL. 1, which is featured in the Berlinale Competition.
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Film
Andrei Kartashov of the 2014 Talent Press reviews Philippine-Canadian avant-garde collaboration LA ULTIMA PELICULA, which features i the Berlinale Forum Expanded.
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Reportage
Ewa Wildner watched a restored print of the silent film classic THE CABINET OF DR. CALIGARI at the Berlin Philharmonic.
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Film
Tara Judah of the 2014 attended a screening and discussion of Maximilian Leo's MY BROTHER'S KEEPER.
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Film
Karla Lončar of the 2014 Talent Press reviews Benjamin Heisenberg's farcical SUPEREGOS, which features in the Berlinale Panorama.
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Film
Christina Newland of the Talent Press 2014 reviews Michel Gondry's new documentary essay about Noam Chomsky.
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Film
José Sarmiento of the 2014 Talent Press reviews Tommy Pallotta's and Femke Wolting's take on Somalian piracy in LAST HIJACK, which features in the Berlinale Panorama.
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Reportage
Andrei Kartashov of the Talent Press 2014 visits the new Berlinale Talents stand at the European Film Market.
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Film
Daria Lisitsina reviews Lee Song Hee-il’s virtuosic second feature NIGHT FLIGHT.
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Film
Daniel Mandić of the 2013 Talent Press Sarajevo reviews the short film MORNING PRAYERS, directed by Konstantina Kotzamani and Katarina Stanković.
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Film
Georgiana Madin of the 2013 Talent Press Sarajevo reviews the short film MORNING PRAYERS, directed by Konstantina Kotzamani and Katarina Stanković.
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Film
Raffi Movsisyan of the 2013 Talent Press Sarajevo reviews the impressive children refugee drama WHEN I SAW YOU by Palestinian filmmaker Annemarie Jacir.
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Film
Karla Lončar of the 2013 Talent Press Sarajevo reviews the visually haunting short MORNING PRAYERS, set in Sarajevo and directed by Konstantina Kotzamani and Katarina Stanković.
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Film
Ivan Velisaljević of the 2013 Talent Press Sarajevo reviews the short film MORNING PRAYERS, directed by Konstantina Kotzamani and Katarina Stanković.
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Film
Aderinsola Ajao of the 2013 Talent Press Durban reviews George Sluizer's finally released fragment DARK BLOOD, starring River Phoenix in his last role.
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Film
Polly Kamukama of the 2013 Talent Press Durban reviews Jean-Pierre Bekolo's political satire THE PRESIDENT.
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Film
Aderinsola Ajao of the 2013 Talent Press Durban reviews Joao Viana's black and white feature debut THE BATTLE OF TABATO.
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Interview
Polly Kamukama of the 2013 Talent Press Durban interviews NAIROBI HALF LIFE's Kenyan editor Mkaiwawi Mwakaba, who is this year attending the Talent Campus Durban.
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Polly Kamukama of the 2013 Talent Press Durban interviews NAIROBI HALF LIFE star and last year's DIFF Best Actor Award winner Joseph Wairimu about his career and his directorial ambitions.
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Film
Nosipho Mngoma of the 2013 Talent Press Durban reviews the South African documentary TWO MEN AND A WEDDING, directed by Sara Blecher.
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Film
Sebastián Morales of the 2013 Talent Press Buenos Aires reviews movies LA PAZ by Santiago Loza, and LA PAZ EN BUENOS AIRES by Marcelo Charrás.
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Reportage
Santiago Gonzalez Cragnolino of the 2013 Talent Press Buenos Aires saw a lecture of legendary film critic and programmer Kent Jones at the Talent Campus Buenos Aires.
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Reportage
Lucía Salas of the 2013 Talent Press Buenos Aires reports from the BAFICI panel discussing the history, present and future of Chile's film industry.
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Film
Lucía Salas of the 2013 Talent Press Buenos Aires reviews the LEVIATHAN by Lucien Castaing-Taylor and Véréna Paravel from the Avant-garde and Genre Section.
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Film
Liomán Lima of the 2013 Guadalajara Talent Press reviews Raúl Ruiz' unfinished film project LA NOCHE DE ENFRENTE.
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Film
Marianela González of the 2013 Guadalajara Talent Press reviews Juan Carlos Maneglia's and Tana Schembori's 7 CAJAS.
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Film
Raciel del Toro Hernández of the 2013 Guadalajara Talent Press reviews Patricia Correa's and Valentina Mac-Pherson's documentary LAS MUJERES DEL PASAJERO.
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Film
By celebrating the everyday over the epic, STEPPING ON FLYING GRASS becomes an epic in its own right.
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Film
Spirits from LEVIATHAN are frozen in time on the walls of a crematorium.
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Reportage
Jane Campion comments on her career with her usual modesty.
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Reportage
Three filmmakers from Southern Europe report on their experiences making art in a time of crisis.
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Interview
Israeli director Tom Shoval talks about the relationship between film and viewer and the filmmaker’s means of controlling it.
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Interview
Argentinian filmmaker Lucrecia Martel on the power of language and reality.
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Film
Legendary avant-garde playwright and theatre director Richard Foreman returns to filmmaking with the astounding ONCE EVERY DAY.
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Interview
Ulrich Seidl sits down with Ariel Esteban Cayer to discuss PARADISE: HOPE.
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Reportage
African filmmakers discuss their urban realities in the Campus' “Set in the City“ session.
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Film
Max Ophüls’ THE TROUBLE WITH MONEY might have failed at the box office, but certainly not on the artistic front. It’s a gem waiting to be rediscovered.
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Film
Denis Côté’s elegant film reveals unsuspected levels of cruelty in human nature.
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Interview
What made LES MISÉRABLES the trail-blazing musical it has become?
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Film
Sexual minorities in Cameroon pour their hearts out to open-minded foreign audiences.
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Film
The ever-charismatic Joseph Gordon-Levitt crafts an engaging and amusing directorial debut.
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Film
Orson Welles’ TOUCH OF EVIL treats moral uncertainty as a bleeding wound.
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Reportage
Since 2005, the Robert Bosch Stiftung has been associated with Eastern Europe, this year its mission expands eastward to the Arab world.
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Film
South African drama ELELWANI raises the pertinent argument of tradition versus modernism, but loses steam on the way.
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Film
Inspired low-budget filmmaking in this Berlinale Panorama entry: A knight in shining armor-story with a twist.
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Authors
In India, film criticism in its strictest definition doesn’t adequately exist. But I’m very comfortable with the professional identity of a film critic, which is that of an opinion-shaper. I recognize the impactful nature of my writing, and the decisive role it plays in shaping the perspective of readers.
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Authors
Public enlightenment is the name of the game now, and I certainly don’t want to be left out. Indonesian cinema desperately needs a second chance from its own public. I must contribute, one article at a time.
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Authors
The times are changing in Peru. Old and useless ideas have started to fade away and a new generation of filmmakers, producers, actors and critics are leading cinema in the country with things we had never seen before.
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Interview
Talent Press Durban 2012 perticipant Katarina Hedrén talks to Alain Gomis's about his latest film TEY, in which death is polite enough to announce its arrival.
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Reportage
Talent Press Durban 2012 participant Claire Diao shines a light on the polyinguistic nature of African cinema and the state of its film and festival landscape.
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Film
Durban talent Press 2012 participant Sihle Mthembu reviews Micha X Peled's latest documentary BITTER SEEDS, which explores the epidemic of farmer suicides in India.
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Film
Talent Press Durban participant Claire Diao reports from the opening ceremony of the 2012 Durban International Film Festival and reviews its opening film ELELWANI.
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Reportage
Fidel Intriago reports from the first lecture of the 2012 Buenos Aires Talent Campus: Beatriz Sarlo’s take on History and Film.
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Interview
An interview with Celina Murga, whose documentary feature ESCUELA NORMAL is presented at a special screening at the Buenos Aires Festival Internacional de Cine Independiente.
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Film
Talent Press Guadalajara participantMabel Machado reviews Raul Fuentes' debut film EVERYBODY'S GOT SOMEBODY... NOT ME.
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Film
Talent Press Guadalajara participant Luis Vaca reviews Kai Parlange's INNER SPACE (ESPACIO INTERIOR).
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Film
Talent Press Guadalajara participant Luis Vaca reviews Alejandro Brugués’ Cuban zombie parable JUAN OF THE DEAD.
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Film
Talent Press Guadalajara participant Mabel Machado reviews Eryk Rocha's laureate first film PASSERBY (TRANSEUNTE).
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Reportage
by Lautaro García
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Film
By Hammurabi Hernández
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Reportage
By Adefoyeke Ajao
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Reportage
By Héctor Oyarzún
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Reportage
By Richard Bolisay
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Reportage
By Richard Bolisay
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Interview
By Héctor Oyarzún
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Reportage
By Archana Nathan
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Reportage
By Richard Bolisay
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Reportage
By Adefoyeke Ajao
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Film
written by Petra Meterc
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written by Janka Pozsonyi
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written by Andreea Mihalcea
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written by Katerina Lambrinova
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written by Emre Çağlayan
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written by Andreea Pătru
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Film
by Jaime Grijalba
Chile
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About us
by Mariángela Martínez Restrepo / Talent Press BsAs Coordinator
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Film
by Yoshua Oviedo Ugalde
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Film
by Pedro Emilio Segura
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Reportage
Isabella Akinseye of the 2016 Talent Press analyses three protagonists from this year's Berlinale films that deal with issues of culture, ethnicity and traditions.
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Reportage
Ruben Demasure of the 2016 Talent Press analyses the motif of the mythical El Dorado in several Berlinale Forum films.
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Interview
Tara Karajica talked to Prague-based US casting director Nancy Bishop (THE NOVEMBER MAN, MISSION IMPOSSIBLE 4) about the importance of a casting director, the difference between the casting process in Europe and Hollywood and between casting stars and younger actors at the beginning of their career.
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Sevara Pan of the 2016 Berlinale Talent Press reviews the Palestinian documentary A MAGICAL SUBSTANCE FLOWS INTO ME.
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Film
Ruben Demasure of the 2016 Berlinale Talent Press reviews Aaron Brookner's Berlinale Panorama documentary UNCLE HOWARD.
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Reportage
Rasha Hosny of the 2016 Berlinale Talent Press reports from the panel No Time to Remember: Films on the Move.
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Film
Elizabeth Chege of the 2016 Berlinale Talent Press reviews Akiz's film DER NACHTMAHR.
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Film
Tara Karajica of the Berlinale Talent Press reviews Måns Månsson's Berlinale Forum film THE YARD.
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Film
Sergio Huidobro of the 2016 Berlinale Talent Press reviews Joaquin del Paso's debut feature PANAMERICAN MACHINERY.
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Interview
Isabella Akinseye interviews her Mexican Berlinale Talent Press co-participant Sergio Raúl Bárcenas Huidobro on Joaquín del Paso's Berlinale Forum film PANAMERICAN MACHINERY.
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Authors
By Sevara Pan (Uzbekistan)
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By Elizabeth Chege (Kenya)
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By Tara Karajica (Serbia)
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Authors
By Isabella Akinseye (Nigeria)
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Film
by Olawale Oluwadahunsi
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Film
by Olawale Oluwadahunsi
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Film
by Mayté Madruga Hernández
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Film
By Antonia Giraldi
The Kindergarten Teacher (Nadav Lapid, Israel, 2014)
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Reportage
by Mariángela Martínez Restrepo / Talent Press BsAs Coordinator
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Film
By Alonso Díaz de la Vega
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Film
By Alonso Díaz de la Vega
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Film
By Oris Aigbokhaevbolo
Arriving, perhaps unwittingly, to correct one stereotype and confirm another is the Berlinale Special film BREATHE UMPHEFUMLO, the fourth feature from director Mark Dornford-May.
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Film
By Monty Majeed
"I wish I was an oven and you would heat me like coal," says 12-year-old Gurbuz, the chubby and mischievous back-bencher, to his classmate, the beautiful Ebru, in a love letter he writes to her.
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Film
By Julia Cooper
If Sundance had TANGERINE, a fêted feature that caused a stir for having been filmed entirely on an iPhone 5S, then the Berlinale Competition has TAXI, a street film captured on Jafar Panahi’s dashboard camera.
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Film
by Oriana Franceschi
Last year, the Glasgow School of Art’s landmark building designed by Charles Rennie Mackintosh caught fire. I was on my way to work nearby and stopped when I saw the smoke. I stood in among the art students gathering on the pavement and found myself caught up in the grief of the crowd.
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Film
by Heitor Augusto
Though it may sound too tough, a word that would represent, with some accuracy, the state of both local cinema and film criticism in Brazil is “irrelevant”. Nobody's life would stop if, all of a sudden, a catastrophic event decimated both our cinema and our attempts to reflect upon it.
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Film
by Ana Sturm
Where did I come from? Cineplexx.
Where am I? At Slovenian Cinematheque.
Where am I going? To Cinema Dvor, and I must hurry, because I don't want to miss the last showing.
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Film
by Michael Guarneri
André Bazin's “What is Cinema?” is probably the most influential collection of film-related writings ever published. I have always been fascinated by the bold simplicity of its title: which inherent, specific feature allows us to distinguish cinema from everything else?
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Reportage
Monica Obaga of the Talent Press Durban 2014 reports from a Durban Talents workshop, hosted by Neiloe Whitehead, Elizabeth Radshaw and Bongiwe Selane, abut the art of the movie pitch.
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Interview
Monica Obaga of the Talent Press Durban 2014 interviews Frances Bodomo, who shares her secret to securing funding and directing the youngest Oscar nominee in history.
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Film
Monica Obaga of the Talent Press Durban 2014 reviews the multi-faceted, multi-genre Ethiopian monster-and-war feature BETI AND AMARE, written and directed by Andy Siege.
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Interview
Terh Agbedeh of the Talent Press Durban 2014 interviews actor Thisiwe Ziqubu about her rollercoaster ride to stardom.
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Film
Colombian cinema has grown rapidly in the last 10 years due to several factors which have favored the cinematic development and the upcoming industry.
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Film
Sebastián Rosal of the Talent Press 2014, reviews about the Argentinian film "Mauro", by Hernán Rosselli
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Film
Jaime Akamine of the 2014 Talent Press reports from the panel "To be out of place: Nouvelle Vague: the first kamikaze generation of cinema" With the professional David Oubiña
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Film
Talents Buenos Aires Begins today!!!
Check out our new edition
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Film
Amado Cabrales of the Guadalajara Talent Press reviews Jorge Pérez Solano's
LA TIRISIA
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Film
Amado Cabrales of the Guadalajara Talent Press 2014 reviews Gabriela Rubalcava's LA DANZA DEL HIPOCAMPO.
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Film
Israel Luis Arreola from Guadalajara Talents Press 2014 review Fernando Coimbra's O LOBO ATRÁS DA PORTA
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Film
Israel Ruiz Arreola of the Talents Press 2014 reviews Jorge Pérez Solano's LA TIRISIA
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Film
Jeyma Cruz Madruga from Guadalajara Talents Press 2014 review Fernando Coimbra's O LOBO ATRÁS DA PORTA
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Film
Celía Rodriguez Tejuca of the 2014 Guadalajara Talent Press reviews Daniel Ribeiro's HOJE EU QUERO VOLTAR SOZINHO.
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Film
Tara Judah of the 2014 Talent Press reviews a screening of Satyajit Ray's NAYAK at the Berlinale Classics section.
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Interview
José Sarmiento of the 2014 Talent Press met up with Indian film director and screenwriter Ritesh Batra.
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Interview
Daria Lisitsina interviews Canadian director Denis Côté.
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Film
Claire Lee of the 2014 Talent Press reviews the Argentinian film THE THIRD SIDE OF THE RIVER, which was produced by Martin Scorsese and features in the Berlinale Competition.
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Reportage
Andrei Kartashov of the 2014 Talent Press reports from an exhibition of visual art in the St. Agnes church, at the fringes of the Berlinale.
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Reportage
Karla Lončar of the 2014 Talent Press reports from the panel "The World of Shouts and Whispers" with sound designer Eugene Gearty and filmmaker Peter Strickland at Berlinale Talents.
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Film
Ewa Wildner of the 2014 Talent Press reviews the mockumentary THE KIDNAPPING OF MICHEL HOUELLEBECQ, which features in the Berlinale Forum section.
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Interview
Christina Newland of the 2014 Talent Press in conversation with Anja Marquardt on her debut feature SHE'S LOST CONTROL, which features in the Berlinale Forum section.
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Reportage
Tara Judah of the 2014 Talent Press attended a Meet the Expert session with Adriek van Nieuwenhuyzen and Beadie Finzi at Berlinale Talents.
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Film
José Sarmiento of the 2014 Talent Press reviews a retrospective of Jack Smith's unreleased material, which featured in the Berlinale Forum Expanded.
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Reportage
Dasha Lisitsina of the 2014 Talent Press reports from the panel discussion Women on the Verge of a Nervous Breakdown: Successful Screenwriting at Berlinale Talents.
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Film
Claire Lee of the Talent Press 2014 reviews the chinese drama drama BLIND MASSAGE, which features in the Berlinale Competition.
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Film
Christina Newland of the 2014 Talent Press reviews THE IMAGONAUT, a feature film shot for a 180° screen.
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Film
José Sarmiento of the 2014 Talent Press reviews Sophie Hyde's 52 TUESDAYS, running in Berlinale Generation.
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Reportage
Claire Lee of the Talent Press 2014 reports from the panel "Once Upon A TIme: How To Start A Film", featuring Michel Gondry, James Schamus and Greta Gerwig.
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Film
Andrei Kartashov of the 2014 Talent Press reviews Dietrich Brüggemann's drama of faith, youth and family STATIONS OF THE CROSS, which features in the Berlinale Competition.
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Film
Tara Judah of the 2014 Talent Press reviews Dominik Graf's period drama BELOVED SISTERS, which features in the Berlinale Competition.
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Film
Ewa Wildner reviews Rachid Bouchareb’s iconoclastic crime drama TWO MEN IN TOWN, which features in the 2014 Berlinale Competition.
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Film
Claire Lee reviews Helma Sanders-Brahms' family and war drama GERMANY, PALE MOTHER, hich features in the Berlinale Classic section.
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Film
Karla Lončar of the Talent Press 2014 reviews Edward Berger’s family drama JACK, that features in the Berlinale Competition.
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Daniel Mandić of the 2013 Talent Press Sarajevo reviews Daniel Hoesl's debut SOLDATE JEANETTE.
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Film
Georgiana Madin of the 2013 Talent Press Sarajevo reviews Corneliu Porumboiu's film WHEN EVENING FALLS ON BUCHAREST OR METABOLISM.
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Film
Raffi Movsisyan of the 2013 Talent Press Sarajevo reviews Barbara Vekarić’s 15-minute film MY! MY! MY LITTLE ROOM!
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Film
Karla Lončar of the 2013 Talent Press Sarajevo reviews Corneliu Porumboiu's latest work, the arthouse film about film WHEN EVENING FALLS ON BUCHAREST OR METABOLISM.
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Film
Ivan Velisaljević of the 2013 Talent Press Sarajevo reviews Daniel Hoesl's riveting feature debut about class and culture SOLDATE JEANETTE.
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Interview
Aderinsola Ajao of the 2013 Talent Press Durban interviews Joao Viana, director of THE BATTLE OF TABATO.
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Reportage
Polly Kamukama of the 2013 Talent Press Durban reports from the acting lecture Doing It All: Actors on Crossing Media.
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Reportage
Nosipho Mngoma of the 2013 Talent Press Durban reports from a Talent Campus Durban workshop about new and old forms of marketing films.
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Interview
Nosipho Mngoma of the 2013 Talent Press Durban interviews Zethu Mashika, film score composer of ZAMA ZAMA which premiered last year at the DIFF.
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Interview
Narjes Torchani of the 2013 Talent Press Durban meets some the Durban Talent Campus participants.
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Reportage
Nosipho Mngoma of the 2013 Talent Press Durban reports from the scandal-ridden opening night of the 34th Durban International Film Festival and gives a outlook of the coming programm.
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Reportage
Priscila de Almeida Xavier of the 2013 Talent Press Buenos Aires reports from this Talent Campus Buenos Aires' last lecture, given by artist Giselle Beiguelman.
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Reportage
Eddy Báez of the 2013 Talent Press Buenos Aires reports on the conference Crossing Borders: Film In The Art Gallery at the 2013 BAFICI.
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Reportage
Sergio Mario López of the 2013 Talent Press Buenos Aires reports from the BAFICI panel discussing the freedom and restraints of digital filmmaking with German director Christoph Hochhäusler.
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Film
Eddy Báez of the 2013 Talent Press Buenos Aires reviews the romantic comedy MAPA, directed by León Siminiani.
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Film
Santiago Gonzalez Cragnolino of the 2013 Talent Press Buenos Aires reviews the chilean movie NO by Pablo Larraín, which opened this year's BAFICI Film Festival.
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Film
Raciel del Toro of the 2013 Guadalajara Talent Press reviews Martín Benchimol's and Pablo Aparo's documentary LA GENTE DEL RIO.
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Film
Marianela González of the 2013 Guadalajara Talent Press reviews two takes on the Latin American family drama: Carlos Cuarón's BESOS DE AZUCAR and Marcelo Gomes' ERASE UNA VEZ YO, VERONICA.
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Film
Lioman Lima Padrón of the 2013 Guadalajara Talent Press reviews Marcelo Gómes' poetic character drama ERA UMA VEZ EU, VERONICA.
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Film
Danis Tanovic captures an intimate episode among a Roma family in Bosnia.
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Interview
Joshua Oppenheimer discusses with the Talent Press the impact generated by his astonishing documentary, THE ACT OF KILLING.
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Reportage
“To what degree am I free to be a filmmaker and not an indigenous filmmaker?”, asks Andrew Okpeaha MacLean in the session “Indigenous Cinema: Beyond Tribe and Nation“.
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Reportage
Holly Hunter graced the Campus with her reflections on her impressive acting career.
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Film
Soderbergh’s latest is a tightly knit postmodern thriller.
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Interview
Matthew Libatique, renowned for his cinematography in BLACK SWAN, in an interview about how digital technology has effected filmmaking.
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Reportage
The master sound designer and film editor Walter Murch reveals the secrets of good sound.
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Interview
Talent Press meets a working producer and director, with a particularly personal project in the Berlinale Co-Production Market.
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Film
Talking-head documentary NO MAN’S LAND (Berlinale Forum) challenges traditional ways of turning outstanding life stories into history.
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Film
Romanian drama CHILD'S POSE is a front-runner for the Golden Bear.
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Film
Two documentaries similar in form but completely different in effect are part of the Berlinale Homage to Claude Lanzmann.
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Interview
The provocative Dutch director talks to the Talent Press about reconciling art and entertainment.
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Interview
Over a coffee with Campus alumna Neus Ballús who made it to Berlinale Forum with her debut feature THE PLAGUE.
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Film
What is being? Is it just another form of acting? As in a Shakespeare play, everybody could be anybody in VIOLA.
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Film
Boris Khlebnikov tells the story of a rural man with a dilemma that turns into an existential tragedy.
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Film
Anne Kodura’s meticulously composed documentary struggles to outgrow its childlike gaze.
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Film
Matthew Porterfield’s third feature is a melancholy, sympathetic, but ultimately shaky step into full-fledged fiction filmmaking.
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Authors
Film criticism in Croatia has an excellent tradition, providing an encouraging background for my activity. I try to put a spotlight on those films that expand our understanding of film language and offer an inspiring vision for perceiving the real.
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Authors
There are many ways of understanding films beyond the aesthetic of the New Romanian Cinema, with its international acclaim and revolutionary aesthetic. My role as a critic is to recognize as many of these forms and be able to describe them eloquently.
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Authors
I like the idea of a critic as a writing-inclined cinephile, using the exercise as an excuse to get smarter; to frame film consumption within a process of active investigation, research and potential (self-)discovery.
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Authors
Developing a career as a film critic in Britain is no mean feat. The competition is fierce, but becoming a film critic starts with assuming a vocation, rather than a job title.
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Interview
Claire Diao, participant of the 2012 Durban talent Press, interviews Nashen Moodley, who was the manager of the Durban International Film Festival for 11 years and is now the director of the Sydney Film Festival.
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Interview
2012 Durban Talent Press participant Katarina Hedrén interviews Rwandan filmmaker Kivu Ruhorahoza, the director of GREY MATTERS, whose first short film CONFESSION (2006) won the City of Venice Award at the Milan African Film Festival.
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Film
Sihle Mthembu, participant of the Durban Talent Press, reviews Paddy Considine's TYRANNOSAUR at the Durban International Film Festival.
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Reportage
Natalia Barrenha reports from the lecture Found Footage and Editing: Structural Film and History in the Films of Carlos Adriano at the Talent Campus Buenos Aires.
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Film
Luciana Calcagno reviews Bruno Dumont's HORS SATAN, shown at the Buenos Aires Festival Internacional de Cine Independiente.
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Film
Talent Press Guadalajara participant Mayle González Mirabal reviews Alejandro Brugués' Cuban zombie parable JUAN OF THE DEAD at the Guadalajara Film Festival.
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Reportage
Talent Press Guadalajara participant José Juan Zapata Pacheco reports from the Michael Nyman Gala evening. where Nyman's Film WITNESS I (2008) was screened alongside Jean Vigo's À PROPOS DE NICE (1930).
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Film
Talent Press Guadalajara participant Luis Vaca reviews Eryk Rocha's debut film PASSERBY.
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Film
Talent Press Guadalajara participant Jose Juan Zapata Pacheco reviews Raul Fuentes' debut film EVERYBODY'S GOT SOMEBODY... NOT ME.
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